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  Age on Sunday   10 Dec 2017  When photography is a saviour

When photography is a saviour

THE ASIAN AGE. | DYUTI BASU
Published : Dec 10, 2017, 12:11 am IST
Updated : Dec 10, 2017, 12:11 am IST

Fawzan’s projects have had a lot to do with the particular phase in his life.

After working for multiple publications, the photographer got an opportunity to shoot for a guidebook of Mumbai which earned him a steady stream of freelance assignments.
 After working for multiple publications, the photographer got an opportunity to shoot for a guidebook of Mumbai which earned him a steady stream of freelance assignments.

Having clicked pictures of everything from Bollywood to Kamathipura, Shari Fawaz Husain believes that it’s his thirst to capture more that keeps him going in life.

Everything that happened around me in my life was converted into photographs,” says Shari Fawzan Husain, who started out his career as a writer for a newspaper before switching to photography. In the days of bromide printouts, Fawzan became frustrated with having his stories chopped in newspapers. Eventually, he branched out into photography.

 

After working for multiple publications, the photographer got an opportunity to shoot for a guidebook of Mumbai which earned him a steady stream of freelance assignments. “I spent 25 years documenting the city. So, after a couple of exhibitions, I decided to do a book on it,” he shrugs, talking about how Between Bombay & Mumbai — 25 years in Pictures Through a Changing City was born.

 

Fawzan’s projects have had a lot to do with the particular phase in his life. For instance, when  he became a father, he documented the children in the red light district of Kamathipura in Mumbai. After spending months doing social work in the area, he finally went in with his camera.

 

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“I made sure not to take advantage of that. I only took pictures of the children there,” he clarifies. “What struck me is that after dark, we want our children to come home. But since the real business starts after dark in Kamathipura, they want their children to be out of the house. So, night is when the children either roam the streets or seek shelter at local NGOs.”

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Though he has shot in some of the most dingy bylanes of Mumbai, Fawzan is in no way a stranger to glamour. “It wasn’t easy, since most directors and producers don’t like to risk behind-the-scenes pictures being leaked. But I gave them my word as a professional. Sometimes, they would keep all the photos till the movie released. I visited around 86 sets in all,” he recalls.

 

Sunday

There are two in particular that he likes to talk about. “One was a music video sequence for the movie Paap. It was supposed to be raining heavily. The team was actually pouring water over the actor from bottles. They also poured water from a glass wall to create the effect of a waterfall. I found the illusion rather funny. The other is Kareena from Chameli, where she was completely drenched throughout the night for the shoot. And in that no-makeup, drenched-to-the-bone look, she was gorgeous,” he smiles.

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Though he now has a busy schedule between teaching photography classes and farming, Fawzan still manages to find time for shooting. “I am currently working on a project on the Premiere Padmini taxis of Mumbai, which will soon be taken off the streets. I’m also clicking photos on faith — on people’s association with religion.Clicking pictures is the only way to stay alive. If I were not taking photos, I may as well not have lived,” he asserts.

 

Tags: photography, shari fawaz husain