Sunday, Sep 27, 2020 | Last Update : 07:34 PM IST

187th Day Of Lockdown

Maharashtra130045899280634761 Andhra Pradesh6614585881695606 Tamil Nadu5693705138369148 Karnataka5572124503028417 Uttar Pradesh3785333136865450 Delhi2644502284365147 West Bengal2410592110204665 Odisha201059165432820 Telangana1858331544991100 Bihar175898161510881 Assam167374136712625 Kerala160935111327636 Gujarat1303911105923394 Rajasthan1247301042881412 Haryana1205781012731273 Madhya Pradesh117588932382152 Punjab107096840253134 Chhatisgarh9856566860777 Jharkhand7770964515661 Jammu and Kashmir69832495571105 Uttarakhand4533233642555 Goa3107125071386 Puducherry2548919781494 Tripura2412717464262 Himachal Pradesh136799526152 Chandigarh112128677145 Manipur9791760263 Arunachal Pradesh8649623014 Nagaland5768469311 Meghalaya5158334343 Sikkim2707199431 Mizoram178612880
  Entertainment   Hollywood  16 Sep 2020  TIFF Diary: The mendacity of Duranty and the truth of Mr Jones

TIFF Diary: The mendacity of Duranty and the truth of Mr Jones

THE ASIAN AGE. | SUPARNA SHARMA
Published : Sep 16, 2020, 12:16 am IST
Updated : Sep 16, 2020, 12:16 am IST

Agnieszka Holland’s film 'Mr Jones' takes us back to a famine in Ukraine of the early 1990s 

A scene from Mr Jones, Agnieszka Holland's film about truth and propaganda.
 A scene from Mr Jones, Agnieszka Holland's film about truth and propaganda.

New Delhi: Indeed, history is written by the victor but its first inconvenient draft is written by journalists, men and women often labelled as liars, insane and anti-national by authoritarian regimes and their toadies. Despite that, you won’t find them screaming on TV screens. You’ll find them repeating the truth, calmly, with facts. 

The acclaimed, 71-year-old Polish writer-director Agnieszka Holland’s English language feature film Mr Jones tells the story of two foreign journalists in Stalin’s Russia — Gareth Jones (James Norton), a freelance Welsh journalist, and Pulitzer award-winning reporter Walter Duranty (Peter Sarsgaard), who was the New York Times’ bureau chief in Moscow.

 

The film is set in 1993, during what has since come to be known as the Holodomor (to kill by starvation), or the Famine-Genocide in Ukraine.

Jones arrives in a Moscow that is simultaneously welcoming and hostile. He’s chasing a suspicion. Russia’s claim of a successful revolution, of happy factories and prospering farms, doesn’t feel right because the numbers don’t add up.

Duranty dismisses it as a conspiracy theory.

Mr Jones is gorgeous to behold and is made with impressive technical prowess. Its scenes are shot and edited beautifully, often adding tension and energy. But the Communist Moscow that it creates is the sort we often see in Hollywood films — shadowy men lurking in dark corners, and Russians speaking English in an accent we have come to identify with duplicity and evil since the first James Bond film.

 

All the warmth in Holland’s film comes from her respect for Jones and the art director’s love for Russian interiors — large, plush rooms with red walls, gorgeous carpets and lamps. But the Russians drink too much and they eat all the time. Except in Ukraine, where Jones’ story takes him. 

A thick, gruesome coat of snow covers Ukraine, as if trying to hide how Stalin's policies were leading to the starvation and death of six million people. 

We stand next to Jones as he travels through ghost villages, walks into a house where dead bodies lie next to wood sliced into bite-size pieces. He watches all the grain being taken to Moscow and listens to kids sing of hunger and eating their dead. We are ready to throw up when a tiny piece of protein is offered to him. 

 

In between, George Orwell and his Animal Farm make brief appearances.

But central in all this is Jones, the first journalist to report about the famine and deaths, and his very public clash with Duranty, who NYT then called “our man in Moscow” though he was Stalin’s own Goebbels.

James Norton is a big, gorgeous man with the air of upper class elegance and decency. He brings good boy-piety to the character of the earnest Mr Jones, but carefully saves it from descending into self-righteousness.

Jones returns to England to tell the story of famine and deaths, and a government determined to hide it. Duranty immediately debunks it in NYT, painting the famine with government propaganda. He calls it “widespread mortality from diseases due to malnutrition”.

 

Jones was killed a year later. He was 29. Duranty died aged 73, in Florida, in 1957.

Holland’s Mr Jones carries an urgent message: Two people may tell the same story differently. But there is only, always, one truth. 

You'll know you've spotted it when authoritarian regimes, their cohorts and apologists scream, "It's not true".

Tags: mr jones, tiff, toronto international film festival, agnieszka holland