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  Newsmakers   Iran bids farewell to late filmmaker Kiarostami

Iran bids farewell to late filmmaker Kiarostami

AFP | ALI NOORANI
Published : Jul 11, 2016, 2:33 am IST
Updated : Jul 11, 2016, 2:33 am IST

Several thousand cinema lovers joined top artists in Tehran on Sunday to bid farewell to renowned Iranian film director Abbas Kiarostami following his death last week in Paris.

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Several thousand cinema lovers joined top artists in Tehran on Sunday to bid farewell to renowned Iranian film director Abbas Kiarostami following his death last week in Paris.

Kiarostami, who won the coveted Palme d’Or at the Cannes Film Festival in 1997 for Taste of Cherry, emerged from the Iranian New Wave of the late 1960s to become one of the world’s most revered directors.

“Thank you for paving the tough road of globalisation for Iranian cinema,” director Asghar Farhadi — whose A Separation won the country’s only Academy Aw-ard to date in 2012 — told a morning memorial service.

“If there is any enthusiasm or curiosity toward Iranian cinema, it is owed to the steps that you took in those difficult times,” Farhadi said.

“Thank you for not abandoning this land despite all the neglect and lack of gratitude,” he said. Kiarostami, who died in France aged 76, had been making films outside Iran for years due to restrictions and difficulties working in the Islamic republic.

Despite the global attention given to his films, Kiarostami did not enjoy official support and his films were rarely shown in Iranian cinemas or on state television.

Some at the memorial service held posters reading “First Welcome, Last Farewell” — a reference to the lack of official attention Kiarostami rec-eived in his homeland.

In a speech at the memorial service, the head of the Iranian culture ministry’s cinema department, Hojatollah Ayubi, thanked Kiar-ostami “for trumpeting the name of Iran in cinema and the world.”

The event was held at Tehran’s Centre for the Intellectual Development of Children and Young Adults, where Kiaro-stami became head of the film department in 1969.

Many of those in attendance lamented the lack of official acknowledgement for the director’s work.

“We can’t ignore such influential figures,” said Ebrahim Ghavamipour, 36. “To ignore Kiaro-stami is to ignore ourselves.” “We want the world to know how much we value our artists like Kiarostami,” said Helia Pakbaz, a 20-year-old theatre student.