Three filmi ‘Bhaag’ fulls

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Farhan Akhtar was easily one of the most sought-after guests at the Bangalore Literature Festival recently. His arrival with Rakeysh Mehra and Prasoon Joshi was met by a wildly cheering mob, as people grappled with each other for a better glimpse of the star. Was Farhan apprehensive at all, about taking on the role of a legendary athlete? “Actually, I wasn’t. But it was a lot of hard work. I spent three months training, there was nothing else on my agenda — no releases or ads — just training. Besides, the people running alongside me were all athletes, I wanted to impress them! My body was just a manifestation of the work I put in.”
“At the onset, Bhaag Milkha Bhaag is not a biopic,” said Mehra, adding, “I have been influenced by sportspeople like Milkha ji since I was a young boy and as a director, I’m always on the lookout for stories.”
For writer Prasoon Joshi, the project seemed an unlikely one. “I’ve never been into sports and I didn’t think I had it in me to write a story like this,” he said, adding, “With Milkha ji, though, it was different. I can write a human story and in Milkha ji’s life, I found a story I could identify with.”
Meanwhile, they firmly believe that India really should rid itself of its Oscar fixation. “India produces some beautiful work; Why are we constantly seeking appreciation from the West? There is a cultural gap, for starters — we can’t expect them to identify with us. Besides, the best doesn’t necessarily win. The Hunger Games swept the Oscars, but there were many, better films out there. I can name a 100 films in Tamil, Telugu, Malayalam and Bhojpuri that deserve Oscars.”

Bollywood

As frenzy over a young girl’s presumed murder three years ago gripped the media, I wracked my brains to think if I had ever met Sheena Bora while visiting my son when he lived in Bandra, Mumbai.

A great Zen master, in charge of the monastery of Mayu Kagi, owned a cat, who was the real love of his life.